She told associates she considered the film finished.įights between visionary filmmakers and studios are nothing new. Taymor trimmed the film from an initial 2 hours 20 minutes. Taymor on and off during nine months of editing, and that the problem was merely one of length. An initial release date of September 2006 was pushed off. Taymor has been editing the film for the better part of the last year, after completing the shoot in 2005. Kite Bono, singing “I Am the Walrus” and Joe Cocker, singing “Come Together.” Taymor’s experimental sandbox, combining live action with painted and three-dimensional animation and puppets, and featuring cameos by Eddie Izzard, dressed as a freakish Mr. The movie, set to 35 Beatles songs, seems to spring from Ms. “Across the Universe” stars Evan Rachel Wood as Lucy, an American teenager, and Jim Sturgess as Jude, a British import, who fall in love during the turbulent 1960s.
She’s worked long and hard, and made a wonderful movie.”Ī spokesman for Sony Pictures Entertainment declined to comment, saying the project was developed by Revolution. “If you work off her hysteria, that will do the film an injustice,” he said. No one is uncomfortable in this process, other than Julie.”Īnd he warned that the conflict could hurt the movie.
It’s different if you’re making a $12-million film, or a $45-million film. Her reaction through her representatives might be. This process is not anything out of the ordinary. Taymor was overreacting to a normal Hollywood process of testing different versions of a movie, something he has done many times before, including with Michael Mann’s “Last of the Mohicans.” He called his version of “Across the Universe” “an experiment.” Roth, a former Disney studio chief who proclaimed his ’60’s-influenced, artist-friendly ethos in 2000 by naming his new company Revolution Studios, is himself a director, of films like “Christmas With the Kranks,” “Revenge of the Nerds II: Nerds in Paradise” and “Freedomland.” “Sometimes at this stage of the Hollywood process differences of opinion arise, but in order to protect the film, I am not getting into details at this time.” Taymor declined to be interviewed, but issued a carefully worded statement: “My creative team and I are extremely happy about our cut and the response to it,” she wrote. Taymor, who does not have final cut, one that could embarrass the studio and hurt the movie’s chances for a successful release in September. Disavowing a film is the most radical step available to a director like Ms.
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Taymor feeling helpless and considering taking her name off the movie, according to an individual close to the movie who would not be named because of the sensitivity of the situation. Roth tested his cut of the film, which is about a half-hour shorter than Ms. Taymor delivered the movie to Joe Roth, the film executive whose production company, Revolution Studios, based at Sony, is making the Beatles musical, he created his own version without her agreement. Such is the case - for the moment - with “Across the Universe,” a $45-million psychedelic love story set to the music of the Beatles, directed by Julie Taymor, the stage and screen talent whose innovative interpretation of the Disney animated film “The Lion King” is one of the most successful modern stage musicals.Īfter Ms.
But rarely do those battles escalate so much that a studio takes a movie away from an award-winning director. LOS ANGELES, March 19 - In Hollywood creative differences among moviemakers often make for more interesting results on the screen.
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